{"title":"Distanz","description":null,"products":[{"product_id":"boros-collection-bunker-berlin-4","title":"Bunker Berlin #4 - BOROS COLLECTION","description":"\u003cp\u003eFor its fourth exhibition, the Boros Collection presents newly acquired works in conjunction with works from the early 2000s. The twenty-seven artistic positions spread over the five floors and eighty rooms of the former Reichsbahnbunker are presented in guided tours to visitors from all over the world. Today, it is impossible to imagine the artistic landscape of Berlin without this collection, and it has become one of the most renowned private exhibition venues in the world. In GDR times, it was converted into a storage room for tropical fruits. After reunification, it housed a techno club.\u003c\/p\u003e\n\u003cp\u003eThe selection of positions for the fourth presentation takes stock of our current political and social situation. Rarely have we been so aware of the vulnerability of our own bodies as in recent years. Furthermore, the globally traded goods fluctuating on over-excited world markets permeated by post-colonial structures play a recurring role in the exhibition, alongside the presentation of materialities and artifacts that shape our coexistence and idea of community.\u003c\/p\u003e\n\u003cp\u003eFeaturing works by Jean-Marie Appriou, Julius von Bismarck, Julian Charrière, Eliza Douglas,\u2028Thomas Eggerer, Louis Fratino, Cyprien Gaillard, Ximena Garrido-Lecca, He Xiangyu, Yngve Holen, Klára Hosnedlová, Anne Imhof, Alicja Kwade, Victor Man, Kris Martin, Nick Mauss, Jonathan Monk, Adrian Morris, Paulo Nazareth, Berenice Olmedo, Amalia Pica, Bunny Rogers, Michael Sailstorfer, Wilhelm Sasnal, Pieter Schoolwerth, Anna Uddenberg, and Eric Wesley.\u003c\/p\u003e","brand":".exe","offers":[{"title":"Default Title","offer_id":52209583522056,"sku":null,"price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0950\/1166\/8232\/files\/IMG-0736.jpg?v=1755262322"},{"product_id":"tempelhof-metamorphosis-anna-thiele","title":"tempelhof. metamorphosis - ANNA THIELE","description":"\u003cp\u003eNowhere in Berlin does the sky feel quite so close as when you are standing on the seemingly boundless plain known as Tempelhofer Feld. One of the world’s largest inner-city open spaces, it has been the object of Anna Thiele’s (lives and works in Berlin) photographic observations for over a decade. Panorama shots capture the austere calm of this initially unprepossessing oasis in the heart of the fast-paced capital and portray a sweeping landscape that inspires contemplative stillness.\u003c\/p\u003e\n\u003cp\u003eFor centuries, the “Tempelhof field” was actually farmland, until, in the eighteenth century, the Prussian army requisitioned it for a parade ground and barracks compound. It was repurposed into an airport during the Weimar Republic; the Nazis built a terminal that was then the world’s largest building by footprint. Now recreational athletes use the former runways, while initiatives pioneering new forms of urban agriculture and self-sufficiency cultivate the grassy areas between the concrete strips and the outer ring road is the scene of debates over the pros and cons of developing some of the land. 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Formally inspired by consumer electronics, the images create a mythology that is loosely based on the idiosyncratic spiritual practices of Virginian mystics Walter Russell and Edgar Cayce. The works highlight a thread that runs from Appalachian folklore into algorithmic prediction models and government contractor technobabble.\u003c\/p\u003e","brand":".exe","offers":[{"title":"Default Title","offer_id":52209691099400,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0950\/1166\/8232\/files\/IMG-0754.jpg?v=1755263235"},{"product_id":"rage-nadya-tolokonnikova-pussy-riot","title":"RAGE - NADYA TOLOKONNIKOVA \/ PUSSY RIOT","description":"\u003cp\u003eHOLDING THE MUSEUM TO ITS PROMISE\u003c\/p\u003e\n\u003cp\u003eNadya Tolokonnikova (b. Norilsk; Soviet Union, 1989) is a founder of the feminist art collective Pussy Riot. The performance Punk Prayer at the Cathedral of Christ the Savior in Moscow, which the Guardian listed as one of the most important works of art of the twenty-first century, earned her and her colleagues’ convictions for “hooliganism motivated by religious hatred” and imprisonment in a penal camp. Her oeuvre encompasses objects as well as works of installation and performance art in which she grapples with her own traumatic experiences under Putin’s regime, among other subjects. Responding to a situation of fear and repression, she devised a visual language that rebels against entrenched moral and political realities: anarchist, radical, but also profoundly touching.\u003c\/p\u003e\n\u003cp\u003eThe publication RAGE documents Nadya Tolokonnikova’s first solo exhibition in Europe, in Linz, and surveys her oeuvre since 2009. It is rounded out by essays by Boris Groys and the curator Michaela Seiser and two conversations between Tolokonnikova and Marina Abramović and Anne Imhof, respectively.\u003c\/p\u003e","brand":".exe","offers":[{"title":"Default Title","offer_id":52209736188168,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0950\/1166\/8232\/files\/IMG-0760.jpg?v=1755263589"},{"product_id":"chronologies-of-creamcake","title":"Chronologies of Creamcake","description":"\u003cp\u003ePLATFORM OF THE POST-CLUB SCENE AND HUB FOR INTERDISCIPLINARY ART\u003c\/p\u003e\n\u003cp\u003eFounded by Daniela Seitz and Anja Weigl in 2011, Creamcake established itself as a platform, collective, and label for a progressive club sound at the intersection of electronic music, performance, contemporary art, and digital technologies. What started out as a reaction to the dominant techno and house sound of Berlin at the time would evolve into a global institution. Over a decade of activity has sustained the deconstructed and post-club scene that is hard to square within the conventional boundaries of genre. Now, Creamcake is turning twelve, maybe thirteen, give or take the years lost to pandemic. Time for a look back.\u003c\/p\u003e\n\u003cp\u003eChronologies of Creamcake is edited with Steph Kretowicz and recalls the initiative’s platform idea, themes, concerts, exhibitions, symposia, performances, digital projects, and, not least importantly, a chapter in the history of interdisciplinary music and club culture. The book illustrates Creamcake’s extraordinary approach with photographs and other documents from the archives, including events and performances with HAU Hebbel am Ufer, Berlinische Galerie, Klosterruine, Berghain, OHM, and site specific Berlin projects at Planetarium, Wasserspeicher, and Spreepark. The publication also features commissioned texts summarizing the organization’s unique position and context by some of the scene’s most prominent and articulate voices. These include Selim Bulut, Jared Davis, Karlynne Ejercito, Adam Harper, Michelle Hooq, Susanne Huber, Vika Kirchenbauer, Rianna Jade Parker, Alex Quicho, Ashkan Sepahvand, Maxi Wallenhorst, McKenzie Wark, Geo Wyex, and Hengameh Yaghoobifarah.\u003c\/p\u003e","brand":".exe","offers":[{"title":"Default Title","offer_id":52209749557512,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0950\/1166\/8232\/files\/IMG-0769.jpg?v=1755264883"}],"url":"https:\/\/exe.sucks\/collections\/distanz.oembed","provider":".exe","version":"1.0","type":"link"}